12.14 Quintessance of Dust

You know, I watched this last Thursday. I was, however, bewildered by a dream that night in which I was dating a guy who I knew but couldn't name. The main problem being that my mind then decided the nearest analogue would be Clemente. Yeah, don't ask.

So...

Clemente and Jodie are hiding out in bed with charlie. I love the fact he turns out to have this great crossword brain - it makes him seem more like the fast-thinking whizzy brain type, though the nose-candy and skiving off work to snort and shag suggest he's not quite got the hang of consequences.

Pratt is in a bachelor auction and is won by a bloke. "Is he cute?" asks Ray and Morris etc turn into 12 year olds. Morris's love/hate thing with the surgery woman continues. Abby calls the guys on how homophobic and sexist the guys are being when they call Allbright a bitch ("why is it any confident and smart woman in authority is a bitch?") which is great, but then it's revealed that the reason she's getting narked is because she's pulled an all-nighter and is worried about the amnio results on The Baby. So, you know, girly hormones are behind her sudden outburst of feminism?

Jodie's husband looks like a seedy, cut-price member of the Douglas clan. Woah! He shot them. The thing with the belief that Clemente did it is great, with Kerry doing her classic thing of supporting someone she likes even when there is great doubt over them.


Neela is struggling in surgery. Not helped by Allbright's bitchiness and Clemente's coke-fuelled advice. Really, what is Allbright's problem?

Morris: You are totally pregnant!
Abby: And you're in love with Allbright!

Ray deals with a homeless guy who turns out to be a musician. Ray's dad liked blues and it turns out homeless guy is someone he grew up listening to. It's a nice subplot, and gives them a chance to do a musical montage ending.


Carter! Sans hair. He looks kinda hot.